Photoshop will start launching, new brushes will appear at the end of the Brush list. Double click the "Realistic FUR 2015-2020 Brush Set by Eldar Zakirov. You're about to purchase the "Realistic FUR" brush setįor Adobe Photoshop, Photoshop Elements and Adobe Fresco If you find it on the market selling with such a license, it means that this product is distributed there illegally and stolen or redistributed illicitly without the author's knowledge. This product is NOT released under the GPL (General Public License) or any of its variations. ❗️ Cannot be resold, shared, or provided to the third persons entirely and partially.This product can be used in an unlimited number of personal and commercial works.But please contact me if you have any problems with your order. I don't accept returns, exchanges, or cancellations.
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Please note: there are versions of this brush set for a number of software products: Photoshop, Clip Studio Paint, Procreate, Affinity Photo / Designer. Instant download: Your files will be available to download once payment is confirmed. The brushes # 2, 3 and 8 have two options for each one, for left and right hair growth direction. The separated hair can be drawn by regular textured thin brushes. Try to make some of them softer or sharper, darker or lighter in the finish or work, kind of post-processing. In the end, I'd add some of the sharpest strands or hairs, maybe blur or darken some of the underlying strands, light up some of the most visible, highlighted. As in painting or drawing at all, I'd recommend proceeding from common, main shapes to partial ones and details: firstly, specify the main big volume, lights and darks, then put non-detailed fur strands using matching brushes, and then make the detailing with detailed fur brushes. You can experiment also with layer' and brush blending modes, such as Soft Light, Screen, Multiply, etc. After it's may be needed to make some areas deeper (darker) - for example, shaded areas deeply among strands near their roots - or set some light and highlight accents in the lights. 
So, try at first to place basic shading with a simple brush you prefer to paint usually, hard or soft, and then put the fur strands above, according to the form and lighting. All the brushes have a minor color and lightness jitter to make the fur more realistic. Usually this underpainting should be darker than fur, as it would be in the shadow. As you know, there's a number of basic shading technics in painting and drawing, and I like this one as the most appropriate for me - I find it one of the most rational by painting the fur - to start coloring with a neutral, halftone local color, then shade it according to the volume and lighting.
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